En referencia a percepción de sonido y las bandas críticas estos links que explican hasta cierto punto factores de psico-acústica y percepción auditiva:
[ http://www.cnel.ufl.edu/~meena/Class-Auditory Perception.ppt ] http://74.125.47.132/search?q=cache:jR-9sl8X_UoJ:www.cnel.ufl.edu/~meena/Class-Auditory%2520Perception.ppt+critical+bands+auditory+perception&cd=3&hl=en&ct=clnk http://www.music.gla.ac.uk/~george/audio/psy/psy.html http://my.safaribooksonline.com/9781598630237/ch14lev1sec01 http://www.personal.rdg.ac.uk/~syswatkn/ap2.pdf Relacionado al tema: Modulation is interesting because it allows multiple signals to share the same "waveform." In the case of perception, our pitch is used to modulate the speech signal. Our perceptual system seems to care about the modulations in the energy in each auditory channel. Demodulation is the purest form of the cocktail party problem. Modulation is interesting to the DSP folks because it is inherently an ill-posed problem. Modulation consists of multiplying a carrier (usually at a high frequency) with an information-bearing signal. _______________________________________________ ____ ____ ___ ____ _ _ ___ |__| |__/ / |___ \/ |__] | | | \ /__ |___ _/\_ | Arzexp mailing list [email protected] http://lists.slow.tk/listinfo.cgi/arzexp-slow.tk
