Hola Juan, gracias por la información... muy oportuna para nuestro proyecto,
creo que esto facilita la comprensión de los "fenómenos del ML"

Saludo,
Diana

2009/5/11 Juan I Reyes <[email protected]>

>
> En referencia a percepción de sonido y las bandas críticas estos links
> que explican hasta cierto punto factores de psico-acústica y percepción
> auditiva:
>
>  [  
> http://www.cnel.ufl.edu/~meena/Class-Auditory<http://www.cnel.ufl.edu/%7Emeena/Class-Auditory>Perception.ppt
>  ]
>
>
> http://74.125.47.132/search?q=cache:jR-9sl8X_UoJ:www.cnel.ufl.edu/~meena/Class-Auditory%2520Perception.ppt+critical+bands+auditory+perception&cd=3&hl=en&ct=clnk<http://74.125.47.132/search?q=cache:jR-9sl8X_UoJ:www.cnel.ufl.edu/%7Emeena/Class-Auditory%2520Perception.ppt+critical+bands+auditory+perception&cd=3&hl=en&ct=clnk>
>
> http://www.music.gla.ac.uk/~george/audio/psy/psy.html<http://www.music.gla.ac.uk/%7Egeorge/audio/psy/psy.html>
>
> http://my.safaribooksonline.com/9781598630237/ch14lev1sec01
>
> http://www.personal.rdg.ac.uk/~syswatkn/ap2.pdf<http://www.personal.rdg.ac.uk/%7Esyswatkn/ap2.pdf>
>
> Relacionado al tema:
>
> Modulation is interesting because it allows multiple signals to share
> the same "waveform."  In the case of perception, our pitch is used to
> modulate the speech signal.    Our perceptual system seems to care
> about the modulations in the energy in each auditory channel.
> Demodulation is the purest form of the cocktail party problem.
>
> Modulation is interesting to the DSP folks because it is inherently an
> ill-posed problem.  Modulation consists of multiplying a carrier
> (usually at a high frequency) with an information-bearing signal.
>
>
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