Phil Leigh Wrote: 
> 
> The point is that a speaker in a  cabinet which has a resistive loading
> (air in the box) behind it and a different resistive loading (air in the
> room) in front of it, the designer will be expecting to compensate for
> the difference between the two and the impact that has on the movement
> of the cone. If we move the nominal zero point forwards or backwards
> with DC we change the rules of the game in a way that the designer
> could not expect and will not have compensated for. Of course, in
> passive x-overs the DC will have other effects and I'm not sure if
> they'll be directional or not...that's probably another thread.
> 

Yes, I understand what you are saying.  However there is what
essentially amounts to a law of nature which says that small
oscillations around an equilibrium point are always harmonic.  The key
is of course the word small, but I think my point above stands - if the
DC offset is not larger than an AC level the speaker can handle without
distorting significantly, I don't think there will be significant
asymmetry from the offset. 

By the way, here's a quote from the link above which sums things up
nicely:


> 
> And from Dr Floyd Toole:
> 
> “It turns out that, within very generous tolerances, humans are
> insensitive to phase shifts. Under carefully contrived circumstances,
> special signals auditioned in anechoic conditions, or through
> headphones, people have heard slight differences. However, even these
> limited results have failed to provide clear evidence of a 'preference'
> for a lack of phase shift. When auditioned in real rooms, these
> differences disappear..."
> 
> Essentially, Dr Toole expressing the opinion he does here (based on
> decades of his own, often groundbreaking research), captures the
> essence of the conclusions reached by Lipshitz et. al.


-- 
opaqueice
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