Sorry if it disappoints but I know well the work of Claude Shannon and
Harry Nyquist ...

What I was trying to contribute was that the samples on the CD do not
faithfully represent the musical waveform,
they only represent a version of it filtered at 20.5KHz, which seemed
to be relevant at the time but now I can't remember why ...

As an aside, just because 20Hz-20KHz has been used for years doesn't
make it 'right', there is increasing psycho-acoustic experimental data
that suggests that even though pure tones above approx. 20KHz cannot be
heard directly
their presence in music signals can be 'detected' in some way - as
pointed out by Pat ...

Arbitrary  technical limits are often post-rationalizations of the
technology limits of the time (e.g. 44.1/16), and one might point to
the historic limits of valve-amp output transformers, speaker drive
unit technology etc. (and the immature state of psycho-acoustics) for
leading us to 20Hz-20KHz ...


-- 
reeve_mike
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