WSLam;140704 Wrote: 
> Ok, done more listening. Let me describe what I am hearing.
> 
> Using DCC2 SE in Master Clock mode, BNC out to Transporter Word Clock
> In. Changed settings in Player Settings...
> 
> It sounds different. I was at first a little confused to the sound, but
> after more listening, and comparing it with and without the DCC2 SE as
> master clock, I think I am coming to realize the difference.
> 
> Images are more defined and seem to be more precise with the clock
> cable. This clearer outline of the images make things more 'position'
> oriented. And somehow, the sound seems slightly less blended then
> without the clock cable. The size of the sound is now very defined. The
> amount of 'space' (air some would call) seems to have been enhanced.
> 
> I need to do further listening. On some music, the clocked setup is
> obviously more transparent and reveal more subtilties. But on some
> recordings, it almost makes things a tad too dry for my taste. 
> 
> need more time...

Your description seems to fit in with my experience in reducing jitter.
Either when using a better digital cable (a glass toslink) or when I
added a modded Elpac to my SB3.
Again, I feel the jitter spectrum of the SB3 (and based on your 'too
dry' description, the transporter as well) seems very 'euphonic' ie.
when there is jitter the SB3 sounds smooth (and actually soft). I feel
the 'air' or space/ambience is actually the best indicator of high
fidelity. The 'dryness' will be perceived as 'realistic' at higher
volumes. It will also be more dynamic and the bass should be tighter
(is it ?) as well.


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SoftwireEngineer
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