jhm731;142498 Wrote: 
> Can anyone on this forum hear 5-10 db differences at a -130db noise
> floor?
> 
> Has anyone compared the DAC-1 to the DAC section of the Transporter?

I actually did exactly this prior to going to the CEDIA show. This is
obviously going to sound like shameless marketing, but I was concerned
that with my cloth ears I wouldn't be able to hear any difference . .
so I wanted get the facts before engaging sales BS mode ;-)

I hooked an SB3 + DAC1 to a pair of Swans S200's via balanced cables. I
then connected the Transporter to the unbalanced inputs on the same
speakers. I realize this isn't super audiophile kit but it was what was
available. I then connected both players to the same source and selected
the same flac file on both, before doing to jiggery pokery so that
hitting pause on the remote set one playing and paused the other
source.

Well I have to admit I was very surprised that difference was
noticeable to someone as deaf as me. It was more than noticeable, it
was obvious . . . and yes the Transporter sounded the better of the
two. 

On Dolly Parton's bluegrass version of 'Stairway to Heaven', the DAC1
setup made her voice really stand out - but through the Transporter she
became a member of the band, with each instrument being defined and
placed. I realized the DAC1 seemed to have muddied the backing
instruments together somehow (is this the 'smearing' some refer to as a
syptom of jitter?) and so her voice was what really stood out. Just to
check I wasn't mad I got a couple of other colleagues to listen and
they came to the same conclusion.

I did a similar check with several tracks and the most interesting one
was 'Crazy in Love' by Beyonce. For the most part it sounded great on
the Transporter, really punchy and full of life. However the horn
sample that forms one of the main hooks sounded flat as a pancake. It
was so obvious that it was just a loop and not a great recording at
that . . It really surprised me that a great pop record was being
spoiled by what seemed like laziness on the production side. I guess
they expect it to be played mainly on radio's and iPods but I figured
beyonce was an artist that didn't need to do things on the cheap. I'm
sure it's just an indication of the low esteem certain parts of the
recording industry has for its customers.

Anyway, I'm sure this post will be summarily dismissed as hype, but I
really just wanted to chip in to offer one response to this question.


-- 
Jez

Jez Hildred
Senior Manager - Sales & Marketing
Slim Devices, Inc.

http://www.last.fm/user/Kadosh/
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