empty99;164512 Wrote: 
> If one's using highly synthesized recordings (most rocks/pops)  to setup
> his system, you do not know at which points you started adding more
> echo/reverb and "colorations" to the source.
> Please enlighten me about the use of "seasoning" in classical
> recordings, what is EMT? I only read of them trying to simplify/shorten
> the signal paths to improve clarity and realism, even  down to a single
> omni mike in some venues. It's a luxury to having your very own
> recordings to tweak your system with, in this case, u cannot go too far
> off!


As I said, most pop/rock (and some jazz/choral - even a bit of
classical) has been treated to the addition of artifical ambience
either at individual track level or even (gasp) across the whole mix.
Often this will have come from a very expensive Lexicon digital unit or
(going back in time) an equally expensive EMT plate reverb unit.

That's not say there aren't a lot of "natural ambience" recordings -
mostly clasical, jazz etc.

The problem facing the average person is how much of the ambience of
the original recording - artifical or real - are they hearing vs. the
sound of their listening room being added...

The thing is, whilst a lot of producers, musicians etc can recognise
the sound of a Lexicon (even the model in some cases) the average
listener will never be able to tell real hall ambience from a digitally
synthesised (very very close) approximation.

So my point is that the "precious ambience" is a bit of a red herring
in many cases. I'm not just talking about run-of-the-mill synthesised
pop here. Most - possibly all - of the great studio
rock/r&b/soul/blues/etc etc tracks have some form of artificial
ambience on them - they'd sound dreadfull otherwise.


-- 
Phil Leigh
------------------------------------------------------------------------
Phil Leigh's Profile: http://forums.slimdevices.com/member.php?userid=85
View this thread: http://forums.slimdevices.com/showthread.php?t=30820

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