Digital Audiophile;168118 Wrote: 
> 
> Try listening to something out of the box for a few minutes over two or
> three sessions and record your observations with copious notes.  Next,
> burn it in for 100 hours and then listen to the exact same material for
> a few minutes at a time, again over a few sessions.  See if you notice
> anything different.  That's how I was taught by a couple well-known
> audiophile editors.  Convinced me!

That reminds me of a cognitive psych study done a while ago.  Take a
bunch of people and give them a list of sentences.  Some are true, some
are false.  Ask them to rate the truth value of each sentence, where -10
means they think it's definitely false, +!0 def. true, 0 don't know.

Now send them away for a month, have them come back, give them a
randomized and different list of sentences (but some are the same as
before).  At this point most people have forgotten which they've seen
before (but of course the experimenters know); even so, on average they
rate the ones they've seen before something like 4 points higher than
those they haven't (that's an enormous effect).  The implication being
that even when you see information in a scenerio you know is totally
unreliable, you still internalize it as likely to be true.  That why
advertising works and George Bush got elected, I suppose.

I'm not sure what's the implication for this discussion, except that
it's totally impossible to trust your impressions of break-in - that's
just a fact, period.  As cliveb says, any change is far more likely due
to something in your head than in the electronics.  Writing it down and
coming back later...  well, see above.


-- 
opaqueice
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