tomjtx;177033 Wrote: 
> I would go for #1. I would like for my system to simulate the experience
> I would have in the concert hall if the engineer was savy enough to
> record it this way.
> Of course it will be a "miniature concert hall" since my room is not
> the size of a recital hall :-)
> I want to hear the general imaging I hear with orchestra, chamber group
> or string quartet.
> 
> I would NOT want to hear a string quartet as it would sound live in my
> room because it would be to loud and I would be too close to hear the
> "totality" of the quartet. (a problem that exists when rehearsing
> chamber music in too small a room , BTW)
> Rather I want to ear a receation of how that quartet sounded in the
> hall transported to my room.

It is indeed an interesting question, and I think that I am partly with
tomjtx.  I want my system to be the most reasonable transfer of the
sound I hear at concert halls into my living room.  This is not going
to be exactly the same as being there, but it can get close in the most
meaningful ways.

tomjtx's comments about the reduced scale of the living room vs concert
hall touch on an important point.  In the same way that a concert
performance is only a representation of a piece of music, an audio
system can only provide a representation of the performance.

The transportation of the musical event into your room involves a
significant change.  I guess it may be possible, in an anechoic chamber
and with some very clever recording and processing, to make a
performance sound identical to the live version (i.e. close your eyes
and it sounds identical).  However, this still would not be the same
for me - I like to be able to see what the performers are doing too! 
The whole experience of being at a concert is not something I could
ever hope to reproduce at home (unless I get much richer and can hire
them!).

So I recognise that this is not going to be a concert, and I adjust my
expectations.  Since I will not have the visual clues, I hope to get
better imaging (I have no idea why audio systems can image better than
live music, BTW).  The dynamic range and low frequencies are limited
(sadly the Royal Albert Hall organ doesn't fit into my living room!). 
There should be a real impression of musicians playing a piece
together.  It should engage me and make me want to be conducting it!

So my reply on the OP's scale is actually a (3) - I expect something
different to the original performance.  Even a perfect sonic
reproduction of my favourite seat at the opera house would not be
right, as different imaging might mitigate the fact that there's
nothing to see on an audio system, and provide a better experience.

My system reflects what I'm looking for very well.  It doesn't have
thunderous bass, or the dynamic presence of some Avant Garde speakers I
enjoyed recently.  What it does is engage me with a (scaled-down)
performance that makes me think that a mini orchestra is playing just
for me, and carries me into the music often as much as a live
performance does.

One reason this is interesting is that some people seem to want
something different!  'What the recording engineer intended' makes
sense to me with respect to highly processed music (electronica and the
like), where the processing might an effect that the musician is trying
to add for artistic value.  However, I would have thought that 99.99%
of recording engineers are simply trying to provide a window into a
musical performance.  It should be transparent.  I'm much more
interested in connecting with the musicians, conductor and composer.

Adam


-- 
adamslim

SB3 into Derek Shek d2, Shanling CDT-100, Rotel RT-990BX, Esoteric Audio
Research 859, Living Voice Auditorium IIs, Nordost cables
http://www.last.fm/user/AdamSlim/
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