thomsens;195372 Wrote: 
> Also, what exact information do I need to know for the input of my amp? 
> Input sensitivity, etc?
You don't need to know the sensitivity, but you do need to know the
input impedance.

As someone who runs a Transporter's balanced outputs directly into
active speakers (ATC SCM100As), here is how I went about things:

1. Connect balanced outputs of TP to input of speakers (of course).
2. Before playing anything, turn digital volume on TP right down.
3. Now start playing something, and gradually increase the volume on
the TP until the loudness is a bit greater than you think you'd ever
want.
4. Note the attenuation setting on the TP's digital volume control:
this is approximately the amount of passive attenuation you need to
insert between TP and speakers. (You might want to decrease the
attenuation a little so you've got something in reserve for real
head-banging sessions. For example, if the TP volume control is at
-15dB when you get to the loudest you'd ever want, you might consider
going for about 12dB of passive attenuation rather than the full
15dB).

To work out the best resistor values to use in the attenuators, you
need to know the output impednace of the Transporter (it's 100 ohms),
the input impedance of your speakers (typically at least 10,000 ohms,
often more), and the desired attenuation. Then you can start plugging
potential resistor values into the spreadsheet available on the wiki
page to find the best compromise effect on source and load impedances
that give you the required attenuation.


-- 
cliveb

Performers -> dozens of mixers and effects -> clipped/hypercompressed
mastering -> you think a few extra ps of jitter matters?
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