Several people asked me to report on this, so here goes.

I went over to PhilNYC's today along with a friend and auditioned a
transporter, as well as a number of other sources and DACs. Most of the
listening was done through Phil's main system, the details of which you
can find on this forum or on the web with some searching. Suffice to
say it costs about as much as a Mercedes, and should certainly be very
revealing. I might also mention that it sounds really great :-). His
dedicated listening room is large and thoroughly acoustically treated.
Phil was a gracious and very good-natured host, and we listened to
quite a few combinations of DACs and sources. I'd strongly recommend
anyone in the NYC area to drop him a line and check out his gear.

I'm not going to comment on everything we heard or tried, just the part
that's probably of most interest to this forum - the differences between
the TP and my stock SB3 as transports feeding Phil's Dodson DAC, and
between the SB3 and TP analogue outs. (We also tried to compare DAC to
analogue out, but had trouble getting the volumes matched.)

I couldn't hear any difference, either between the TP and SB3 as
transports or as analogue sources, despite trying very hard - several
times I thought I did hear something, only to lose it quickly. My
friend (who's a second generation audionut!) was also unable to hear
any difference.

Phil thought he could detect a slight difference in soudstage width, so
he tried guessing which was TP and which was SB3.  On the first try
(comparing them as transports) he made one guess, but what he thought
was the TP, with the wider soundstage, turned out to be the SB3.  We
then hooked up the analogue outs, where you might think there'd be a
bigger difference - and again (on one guess) the one Phil thought was
the TP was the SB.  On the final attempt Phil again thought one had a
slightly larger soundstage, and - based on his previous attempts -
guessed it was the SB... but it turned out to be the TP.  Levels were
perfectly matched as far as we could tell, although we didn't check
with a meter.  Phil only made three guesses in total, after listening
hard to a bunch of A/B switches - we weren't there to do a real blind
test.  I just wanted to find out if I could hear a difference.

In fairness to Phil, he had switched the analogue interconnects (which
weren't the same) between the second and third trials, and the one he
thought had the wider soundstage switched as well.  So possibly it was
the cables making the difference - but any combination of guesses he
could have made would have correlated either with the cables or with
the TP/SB3, so I'm not sure that means much. 

In any case, it was very clear to everyone that the differences, if
any, between these sources were either non-existent or extremely
subtle.  In contrast, my system at home sounds quite different (and not
as good), as did Phil's secondary system (which has slightly lower grade
speakers). To me, this really nails down what I've been pretty sure of
for a while - that all digital sources are really very close, if not
absolutely identical, while rooms and speakers make enormous
differences.

For some, the peace of mind knowing you have the best may be worth it,
and that's fine with me - but I'll focus my time and money on what
seems to me to really matter. I won't be buying a transporter (although
I might perhaps buy a reasonably priced DAC that can double as a pre for
digital sources).


-- 
opaqueice
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