opaqueice;200735 Wrote: 
> For example, a tax of some sort (on blank CDs for example) which went to
> a fund to support artists and public art/music programs?  A system of
> artists-in-residence at the federal, state, county, city, university
> level?  More public funding for local orchestras and smaller ensembles?
> Done well, it could lead to a huge increase in the amount of music
> being made, and people's exposure to it.  Done badly, it would lead to
> a bloated and ineffective bureaucracy.

The problem with flat systems is that they tend to get distributed
unfairly.  Any 'unidentifiable' income for music reproduction is
distributed in the same ratio as the total take, which is great for big
artists but clearly unfair - but can we come up with a better system?

Public funding is great, but in the UK it's being cut massively - we
have an Olympics in 2012, and we're going to decimate the classical
industry (and not even invest in grassroots sport) to pay for it!

On Mozart, he may have been profligate but he was arguably the greatest
music genius of all time.  By any calculation, surely he should have
earned more in real terms than the £600m fortune that Paul 'not even
the most talented in his band' McCartney has amassed?  Couldn't we
allow Wolfy a few parties? ;)

Some system of copyright protection is essential to reward the
successful artists, and some amount of state (or rich benefactor)
sponsorship should be there for the unrecognised talent.  The balance
is hard to call, but I would fear that use of DRM (which strongly
favours the copyright holder) would push the balance towards highly
marketed artists, which would certainly not be a result I personally
would like to see.

Adam


-- 
adamslim

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http://www.last.fm/user/AdamSlim/
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(http://www.last.fm/group/People+who+don%27t+listen+to+any+of+last.fm%27s+top+artists)

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