i thought i would never write again on the subject here, but this post
just annoyed me too much:

[qoute]Some system of copyright protection is essential ... [but] The
balance is hard to call, but I would fear that use of DRM (which
strongly favours the copyright holder) would push the balance towards
highly marketed artists, which would certainly not be a result I
personally would like to see.> 
> 
> My explanations of how not selling music creates a media like world of
> live TV / big concert / t-shirt sales that hits small artists but which
> the big names can live with has not beeen enough.
> 
> Neither has the last article from the guardian about the demise of the
> small artist...
> 
> So here is yet another...
> 
> http://blogs.guardian.co.uk/music/2007/04/has_illegal_downloading_gone_t.html
> 
> Here is an extract from it:
> 
> Last week, I received a promotional CD of Ma Fleur, the new album by
> Cinematic Orchestra, a group on the independent label Ninja Tune.
> Before I'd even played it (it's very good by the way), I was hooked by
> the blurb on the sleeve.
> 
> Usually, this is the bit of legal boilerplate where the label informs
> you that illegal downloading is outright gangsterism and anyone who
> practises it will be dragged outside to be shot like a dog, after which
> their head will be exhibited on a spike outside the BPI headquarters as
> a warning to others.
> 
> But this one is different. "Before you copy, burn or upload these
> recordings," it begins, "please take a moment to think about what
> you're doing and what you're not doing. You are not 'sticking it to the
> man'. You are not 'striking a blow against outdated copyright laws'. You
> are not 'liberating content from the corporations'. Nor are you
> 'promoting our records for us'. You are making it much harder for the
> musicians in Cinematic Orchestra to make anything like a living wage
> for creating the music which is good enough to give to friends and
> associates."
> 
> ...justifications ring hollow, especially when it comes to independent
> artists... Filesharing raises the artist's profile? True, it can stoke
> demand for live shows, and for licensing to TV, movies and advertisers,
> but word-of-mouth promotion doesn't work if you're giving someone an
> album instead of just telling them about it. According to Ninja Tune's
> Will Ashon, who wrote the Ma Fleur text, the difference between an
> independent album losing money and breaking even can be as little as
> 1000 copies.
> 
> I'll leave the last word to Ninja Tune: "By all means pirate the latest
> corporate spew from major label central. But don't pretend it's the same
> thing as copying this, because one day, when we're all gone and all
> that's left is two or three giant multinational conglomerates putting
> out lowest-common-denominator bollocks, you'll wish you hadn't."


-- 
willyhoops
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