Patrick Dixon wrote:
> Analogies are never that great, but hopefully you will concentrate on
> the point I'm trying to make, rather than just trying to pick holes in
> the analogy.
> 
> The reason that source quality is more important than speaker quality,
> even though the latter is much more obvious and easier to hear, is akin
> to the reason that a reproduction of a great painting, with the brush
> strokes and the detail accurately represented but with the colour
> reproduction slightly off, will ultimately be more satisfying that a
> reproduction of the same painting with lower resolution but accurate
> colour.  Whilst the latter may be superficially more acceptable,
> ultimately it won't get you close to the artist's intentions and keep
> you interested for very long.
> 
> I don't think the source first principle has ever been discredited; if
> anything has, it is just the numerical percentage split of your budget
> source first advocates used to say you should allocate to each
> component.

I agree with Patrick.

Sure, speakers can colour the sound, but you become accustomed to the
sound of your own listening space and don't hear it in normal listening.

Whereas, a poor source can cause fatigue problems - I don't get
listening fatigue with a good source with mediocre speakers.

I remember when I used to use my SB1 through a (modified) Art DI/O DAC.
I used to use fixed digital volume so it was more convenient to use the
SB1 analogue out if I need to adjust the volume regularly. I therefore
used to switch between two inputs on my amp regularly (SB1 and DAC).

At one time, I found myself turning off the music regularly as I found
the sound tiring. I thought I was listening to the DAC and couldn't
understand it. Anyway, after a while, I got up and checked the amp and I
was listening to the SB1! I switched back to the DAC and all was well again.

Another point here is that the difference between sources is not always
immediately obvious within 5-10 minutes of listening. Sometimes it takes
a period of extended listening, and not always conscious listening.

R.

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