Well, I'm still waiting to see one single bliund listening test in which
people can even -distinguish- between 16/44.1 and something better*, let
alone care about the difference (and I'm not talking about tiny
differences in the noise floor that can be heard with massive
amplification - this is about music played at reasonable levels).

But I agree that enhanced standards might encourage mastering engineers
to do a better job...


*"Audibility of a CD-Standard A/D/A Loop Inserted into High-Resolution
Audio Playback". E. Brad Meyer and David R. Moran. JAES 55(9) September
2007.  The tests, conducted with many experienced listeners on a variety
of high-end systems over the course of a year, produced a null result
(no difference was audible).


-- 
opaqueice
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