opaqueice;277809 Wrote: 
> So he's claiming that by looking at a graph of this particular test-tone
> he can tell whether or not these effects are audible on music.  And yet
> he didn't bother to do a listening test - in the time it took him to
> prepare that article, he could have performed a whole series.  -That-
> would have been interesting, because what most people really want to
> know is which format to use and at what level of compression.  This
> kind of vague cursory analysis and unsubstantiated statements isn't
> useful.
> 
> Frankly, I very much doubt he would have been able to hear the
> differences between 320 MP3 or AAC and CD (at least not without lots of
> practice and choosing the test track very carefully), and after all the
> whining Stereophile has been doing recently that wouldn't look very
> good.

Yes, a typical JA article.  This is the man who won't listen to a SET
amp as he considers it a tone control, IIRC.

It would be so easy for them to do a detailed blind test using a high
resolution system; they could even highlight any changes in the results
generated by the listeners getting familiar with the MP3/AAC artefacts. 
That would have been interesting!  The vague 'ooh look at those charts'
tone of the article is at best pointless, at worst misleading.

Moral: don't expect investigative reporting in the hifi press!


-- 
adamslim

Those are my principles, and if you don't like them... well, I have
others

SB+, EAR V20, Living Voice OBX-R2s plus some other stuff
SB3, Charlize, Harbeth HL-P3ES
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