Ok, I'm asking again: what would be the difference between using passive
attenuation using a passive preamp stage and the same attenuation using
in-line attenuators? In his posts, cliveb is the only one who
consequently speaks about avoiding *active* preamps: here I can see the
argument. But why should the same apply to passive ones? These should
act just like variable attenuators I thought?

On the attenuator page in the WiKi, a passive preamp of Creek is
mentioned as a recommended attenuator for unbalanced connections. So
why would using an Endler attenuator with a power amp be different from
using a passive balanced stage like in the Ayre AX-7e? I understand that
you wouldn't use Endler attenuators to regulate the volume normally. But
wouldn't a passive stage where you can use the attenuation level as
volume regulator be preferable? (Of course, the quality of the used
attenuators makes a difference.)

Teus


-- 
Teus de Jong
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