Phil Leigh;421459 Wrote: 
> yeah - I get all of that. But replaygain can't possibly know what the
> gain of my amplifier is or what the efficiency of my speakers are so it
> can't actually know what the absolute replay SPL is going to be...
> The thing I don't get is how it could conclude that it is possible to
> have an effective RMS level that is higher than the possible max peak
> value.
The 89 (or 83) dB value is misleading you into associating it somehow
with the 96dB dynamic range of 16bit PCM. The two figures are completely
unrelated.

The Replaygain algorithm compares the loudness of the track/album in
question against the loudness of a -20dB RMS pink noise signal, and
simply sets an adjustment to bring down (or up) to the selected target
level.

The fact that the target level was originally expressed as "83dB" (now
usually 89dB) is down to the fact that the SMPTE standard states that
pink noise at -20dB RMS shall be played back at 83dB SPL. (If you want
to you could play it back at 110dB SPL - it's just a consequence of
where you set the playback volume control).

As I understand it, Replaygain chose the -20dB RMS pink noise signal as
its "base reference level" for no other reason than it was a convenient
standard that happened to be in existence. The fact that they also
decided to use the SPL playback level as the way to express the target
loudness seems strange to me, because it's clearly the source of
confusion. (But then again, the guy who developed Replaygain has a
doctorate in this area, so he probably knows what he's doing).


-- 
cliveb

Transporter -> ATC SCM100A
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