radish;421134 Wrote: 
> I'm not sure that follows - I'm no audio engineer but when I'm mastering
> tracks I always set it to normalize so the peak is 1, but obviously with
> no clipping. In fact, I can't think why you'd ever master a track with
> the peak < 1 unless it's a quiet track on an album and you want to
> preserve the differences between tracks. Having peak < 1 just means
> you're wasting dynamic range...doesn't it? Maybe I'm missing something.

For 16-bit, I was always taught to master at a peak of 0.95 ( to allow
some "wiggle room" in the replay chain  - specifically the gain stage
after the DAC) and would NEVER normalize in software to 1. I guess this
meant I was only using 14/15 bits.  For 24-bit this is much less of an
issue... 

However, I agree that a peak of 1 doesn't necessarily imply clipping,
but a peak of one AND a high negative replaygain together seem to add
up. Certainly the semi-random sample I've just examined do...

I accept that even together this is not an infallible method.

That's exactly why I'd like to be able to use this software in a
non-destructive way (like SOX). Then I could just pipe everthing through
it and let it decide what to do on a track by track basis.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
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LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
Outdoors: Boom
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