mswlogo;539606 Wrote: 
> Using -10db digital attenuation is HUGE. You will hear it.
> 
> That is partly why I wrote the test. You'll hear ~3bits less on top of
> what your DAC can resolve. If you could hear 20bits now you'll only
> hear 17bits.
> 
> And the difference between 17bit music and 20bit music is quite
> significant.
> 
> The point is it's not the difference between 21 and 24bits.
> 
> Your pushing what ever you attenuate by digitally below the noise floor
> of the DAC (which is always less than 24bits).
> 
> You may have a little elbow room with 16bit music (in that you can
> attenuate some and still be in the DAC range of resolution) but you
> have no elbow room with 20bit or 24bit music.
> 
> Also the DAC tends to perform better on the MSB bits than the least.
> 
> If you think of old recording days where you set your Gain so that the
> Peak Meter just touches the Red. Your maximizing your dynamic range
> doing that. Here, the best performance of the DAC is when the MSB bit
> of your music lines up with the MSB of the DAC. As you go lower and
> lower bits the SNR gets worse.

In the OLD days of recording, my peak meter would often be well over
the red... :-)

I'm using replygain. -10dB is almost the max setting for my files. The
majority are more like -3 to -6 dB. There's quite a few that get a
boost of 3-6 dB...

Since when was 10dB = 3 bits?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker & Chord Interconnect cables
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