adamdea;579176 Wrote: 
> This is really helpful and clear. I follow all of this until we get to
> point number 2. I have been wondering how I could get to whether I
> understand what you mean by this.
> 
> If we had recorded in 21 bit samples rather than 17 bit samples we
> would reduce quntisation noise at all levels- the quantisation error in
> your 4 bit example does not occur at the lowest volume level. The
> limited precision of the DAC will produce a greater error than with a
> higher precision DAC at all amplitude levels (although the error will
> be lower relative to that amplitude at higher levls than it is at lower
> levels). 
> 
> I see that the DAC can't itself produce quantisation noise becasue it
> doesn't quantise. But I keep thinking that an equivalent effect will
> apply with a 24 bit dac with 21 bit or 17 bit "resolution" too ie that
> if their outputs were compared there would be an equivalent effect as
> though the ADC had limited precision (albeit with dither) The DAC
> surely only has the same number of meaningful outputs as if the ADC had
> had 21 bit or 17 bit precision?   
> 
> I am trying to get my mind round how the limited "resolution" at the
> DAC output compares with a limited adc bit depth which is then
> converted into a 24 bit word (as I understand happens when redbook cds'
> data is sent to a 24 bit DAC.) Presumably the 16 bit word has 8
> arbitrary digits placed after it. Isn't the output of the DAC with 16
> bit "resolution" fed 24 bit precision data going to be
> indistinguishable from the output of a 24 bit dac fed that upconverted
> data.
> 
> 
> Perhaps this could be illustrated by comparing
> 1 (imaginary) ADC with 24 bit resolution and the 24 bit dac DAC with 21
> bit "resolution" 
> 2 same ADC but  DAC has only 20 bit "resolution"
> 3 now ADC also has only 20 bit resolution and DAC has 20 bit
> "resolution".
> 4 now ADC is 17 bit but result is upconverted to 24 bit and played
> through 24 bit DAC with 20 bit resolution..

OK - I'll try.

1) Quantization error ALWAYS ONLY occurs in the lowest level - it is an
error in the lowest bit - actually strictly speaking it's in the lowest
half-bit(!) because 50% of the time the value chosen is correct...
Let me put it another way. It doesn't matter what the sample value is,
the error can only be +/- 1 bit. So the error in 12 vs 12.5 vs 13 is
identical to the error in 1 vs 1.5. vs 2...


You really need to be happy you understand this -  as it is
fundamental.
2) There's no concept of "LIMITED" PRECISION in a DAC. It has a
precision, defined by how many bits it can handle. Period. You can
argue its analogue side has a "resolution" defined as how high the
noise floor is.

3) When redbook (16-bit) is converted to 24-bit, 8 bits of silence are
added. Not 8 random bits.

4) in your 4 examples:
1: a true 24-bit ADC ( that doesn't exist) records music using all 24
bits. A 24-bit DAC will faithfully TRY and replay that. However if its
analogue noise floor is effectively equivalent to 3 bits, you won't be
able to hear anything but noise if you try and play a signal that only
requires 3 bits or less of level.
2: exactly as per 1, except now signals using less than 4 bits are just
noise
3:  4 bits of noise are recorded along with the music. A different 4
bits of noise appear at the analogue output of the DAC
4: The music is in the 17 bits (I'm assuming you are talking about an
imaginary ADC with  only 17 bits?). Converting this to 24-bit puts
silence into the lowest 7 bits. Played back you hear 17 bits of music.


Conclusions:
1) Stop reading Stereophile, it is just confusing you
2) If all of this still bothers you, just use an external DAC. You may
not hear much difference.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
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Supertweeters, Blue Jeans Digital,Kimber Speaker & Chord Interconnect
cables
Kitchen Boom, Outdoors: SB Radio, Harmony One remote for everything.
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