magiccarpetride;581951 Wrote: 
> I wasn't very clear in my previous explanation: it is not desirable to
> use a DAC that will take the bit-perfect digital signal and just
> faithfully convert it to analog signal. Why? Because the digital
> source, when compared to the same analog source, sucks beyond belief.
> The digital source is just a crude approximation, a crass caricature,
> if you will, of the original analog signal that got captured by the
> microphone and stored on the magnetic tape. Think of a digital audio
> source as if being similar to an extremely pixelated photo. The DAC
> needs to upconvert the harsh jagged edges into smooth curves. In order
> to be able to do that, the DAC needs to be very creative, that is,
> built with some ingenuity.
> 
> The job of a DAC is to be resourceful and try to interpolate as much
> musicality into that caricature of a signal. That's why bad DACs sound
> like shit, because they're staying too close to the original choppy
> digital information. It is very easy to build a DAC that will minimize
> any distortion, but the end results are horrendous. Extremely grating
> to the ears!
> 
> Of course, no matter how much ingenuity we pour into the DACs, we will
> never be able to match the musicality of an analog source. But, as
> already evidenced by DACs such as Caiman, we're getting pretty darn
> close:)Not in my universe but that's what makes this stuff fascinating.:-)

Kal


-- 
Kal Rubinson
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