opaqueice;581950 Wrote: 
> Would you mind giving some specific examples?

Unfortunately this was 20 years ago, so a bit hard to recall exactly
what we were testing.  But certainly much of our time was directed at
cables, and all three of us decided cables could sound different.  We
did both blind testing (e.g., with another person changing cables) as
well as independent listening where multiple people would write down
their impressions of the differences (if any) two cables made in their
systems, for later comparison.  Did a lot of reading of the
psychoacoustic literature, plus all three of us were trained
scientists, naturally skeptical and also very methodical.  The typical
description I hear of an audiophile "testing" a cable always goes
something like this: I rushed home with the Wondersound 6000 that just
got the rave review from TAS, popped it in my system, and wow, yeah, a
thousand veils were instantly lifted, so I bought it.  Hah!  Nothing
could be further from the methods we used in our subjective listening
tests.  It is easy to change something and think the system sounds
"different" the first time you listen.  Now try going back and forth 30
times (or more).  Hear the exact same difference every time?  Often you
will realize that what you first thought you heard you actually do not
reliably hear.  The only way I would consider deciding two cables sound
different is if I can find a couple of passages in particular recordings
where I can repeatedly hear a particular difference (e.g., more room
echo, longer cymbal decay, sense of depth to some instrument).  And by
repeatedly, I mean over and over and over again, for a number of days. 
Of course you also need to be careful to avoid well known issues with
human hearing.  For example, if you are listening to something loud,
stop for a minute to change a cable, then start the loud music right
back up, the new source will inherently sound "fuller" because your
hearing has adjusted back to the silence (I think this is called a
threshold effect in psychoacoustics--it has been along time).  Of
course switching back and forth repeatedly equalizes this factor.

Recently I resurrected my "high end" system that had been sitting
unused for a good long while.  One of the things I have been playing
with is cables, which I have not done for a very long time.  Do some
sound different to me?  Absolutely.  Do all?  No.  Of course I have not
done blind tests, but I have been able to repeatedly correctly identify
which of two particular cables was in the system after not doing any
listening for a day or two (I been changing them back and forth, so
often do not remember which was left in--at least consciously :) ). 
Now of course you guys will chant your usual bias, bias, bias mantra,
but what is my bias here?  I own all of the cables already, and have
owned most of them for 15 years.  None of them were particularly
different in price, nor have I ever seen any reviews of any of them. 
So exactly which one am I biased to pick?  And of course just because I
think they sound different, does not mean I think one sounds better.  In
fact, I like some sonic aspects of one and some of the other.  One is
clearly just slightly brighter, making the system sound incredibly
detailed (you can hear every little pluck of a string, etc.), while the
other has more beautiful sounding midrange (so female vocals are
gorgeous).  It may be all in my mind, but I keep hearing the same
specific sonic differences over and over for the last two weeks. 
Unfortunately for me, on certain tracks one sounds better since it
enhances that track, while on others track the other sounds better.  So
I ask again, how does bias explain this?  My bias should be to have one
sound definitely better than the other, since I am stuck with these two
as my only choices (rural location now makes it impossible to borrow
cables for listening).  No, the bias argument is highly exaggerated
IMNSHO.


-- 
ncarver
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