adamdea;585139 Wrote: 
> I am coming to terms with my disappointment at not receiving a reply
> from JA, although I know he's very busy.

My apologies for not responding sooner. I was indeed busy, as the
recent RMAF knocked a hole in my magazine work schedule that it takes a
while to fill.

> . I wonder if you could express a view as to what the cut off threshold
> for resolution (as you measure it) where a higher level would probably
> make no discernible difference when playing 24 bit audio files.

It is going to depend on your playback equipment and the level at which
you listen. A typical inexpensive DVD player that has no more than 16
bits worth of dynamic range is not going to allow a listener to
distinguish between 16- and 24-bit audio. Similarly, if you play your
music at low levels, the extra resolution afforded by >16-bit audio is
going to drop below the threshold of your hearing.

As to the absolute threshold, I can certainly hear the difference
between 16- and 20-bit files with a state-of-the-art DAC. But between
20 and 24? I am not sure I could reliably detect that difference,
though some listeners I respect, like mastering engineer Bob Katz, have
discussed audible differences in dither with 24-bit data, which will
only be producing measurable differences at the 24th bit level.

> I just thought I would let him (if he's reading) and you (Phil) know
> that i have taken the plunge and bought the Principles of Digital Audio
> by Pohlmann which I will definitely have finished by the time Hell
> freezes over.

That's what I would have recommended.

John Atkinson
Editor, Stereophile


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