Wombat;629329 Wrote: 
> Again you calculate some things up and down that are simply limited by
> the way linear PCM works. When you have noise in bit 17-24 these 24bit
> gain you nothing. Bit 16 will be as distorted or accurate as it will be
> without bit 17-24 you even can truncate here. For music that is clean
> below bit 16 dithering may help.
> Still there are more factors why you can´t hear a very silent tone in
> normal music or again if it is that low you´d have to crank it up
> insane so that normal listening with the louder parts of the music
> isn´t possible.
> 
> I think we are going in circles here and i better stop because my math
> isn´t good enough to explain it to you. Your way of argueing i remember
> was pretty common in the beginning of digital audio but has no meaning
> for real world listening.
> 
> You may come to Hydrogenaudio.org and ask the same stuff. I bet someone
> can help you with the math you try here.
I agree - I started to write a long reply to Terry's post and gave up.

It's all explained in here:


http://www.amazon.com/Principles-Digital-Audio-Ken-Pohlmann/dp/0071348190


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - Audiolense 3.3/2.0+INGUZ DRC - MF M1 DAC - Linn 5103
- full Aktiv 5.1 system (6x LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5),
Pekin Tuner, Townsend Supertweeters, Blue Jeans Belden Digital,Kimber
8TC Speaker & Chord Signature Plus Interconnect cables
Stax4070+SRM7/II phones
Kitchen Boom, Outdoors: SB Radio, Harmony One remote for everything.
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