The receivers add a fair amount of jitter on their own. Either the
photodetectors or the electronics used to amplify them are slow and
noisy, the signal takes a long time to rise and there is a fair amount
of noise on that ramp, which means the uncertainty in the threshold can
cover a fair amount of time causing jitter. 

There are ways to make this much better, the best of which is to have a
multistage amplify and clamp system, this can detect the optical edge
with very little added jitter, but costs way more than the "audio"
receivers they currently sell.

Toshiba certainly knows how to do this, some of their optical systems
do it very well, but they don't offer that technology with the
connector used for audio. 

7 years ago I built a DAC with a TOSLINK receiver that has
significantly lower jitter than what you can buy today, but Toshiba
decided not to make those any more. (Probably because very few people
were willing to pay the extra cost, it was something like 4X the
price)

Yes you CAN get extremely good performance on optical interconnects,
the ones I deal with at work have about 10ps of jitter, but they cost
several hundred dollars per channel, its hard to get that level of
performance for 25 cents, which is about what the electronics in an
audio TOSLINK receiver costs. If you boost it up to $2 worth of
electronics you can get much better performance, but now the receiver
costs $12 instead of $1.50. It seems there just is not a big enough
market for $12 TOSLINK receivers. 

What I don't get is how come some enterprising people haven't started
selling the improved optical receivers with the $2 of electronics for
$100 a piece to the audiophile market. For people that drop $500 on a
cable the extra $100 for a really good optical receiver should be a
slam dunk. 

John S.


-- 
JohnSwenson
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