guidof;669401 Wrote: 
> For years I assumed that coax was the way to go. Then I read Phil
> Leigh's post in which he questioned that conventional wisdom. So I
> thought I would give Toslink a chance. I first tried an Amazon Basic
> optical cable(about $8). I didn't expect much, but I was astonished at
> how different my main system (see below) sounded with this cheapy. More
> detail, better definition of individual instrument lines and,
> especially, lots more "air" around individual instruments and voices. A
> very seductive presentation, marred, unfortunately, by a hardening of
> timbres and overall rough character of the sound.
> 
> But now I was on a roll. Hoping to correct the Amazon's cable
> weaknesses and preserve its virtues, I next tried an X-series coax by
> Emotiva ($19), on the strength of the excellent experience I've had
> with the balanced version of these interconnects. It sounded a lot more
> refined than my Have, but not as open and airy as the Amazon optical.
> 
> Maybe an Emotiva Toslink ($16) would do the trick? I tried that. Close,
> but no cigar.
> 
> At this point, I was determined to find a "better" Toslik. I turned to
> Lifatec. They specialize in fiber optics, including medical
> applications. I ordered 3 feet of their Silflex Glass cable ($70), on a
> 30 day return, full refund basis.
> 
> This Toslink did it! Now I got the accurate timbres and tonal balance
> of the Emotiva coax, but also the infectious three-dimensionality and
> air of the Amazon Toslink.
> 
> In my system, the overall sound signature of the Silflex Toslink and
> Emotiva coax are essentially the same, but the presentation through the
> Silflex is clearly closer to hearing live musicians perform in a real
> space.
> 
> Each system is different. But if you feel adventurous, you too may want
> to give Toslink a chance.
> 
> Best luck!
> 
> Guido F.

thanks for that feedback, appreciated, will look into it!


-- 
Stilly77
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