magiccarpetride;680205 Wrote: 
> I've spent some additional time doing critical listening with the latest
> mods. The liveliness and the level of detail is now unprecedented. For
> example, Dave Liebman's "Your Lady" (from his phenomenal album "Drum
> Ode", ECM, 1975) came to life in an amazingly musical way. I've been
> intimately familiar with this tune since 1978, I thought I knew it
> inside-out, but boy was I in for a surprise last night when I gave it a
> spin:)
> 
> So many never before heard important instrumental details, especially
> in the battery of sundry percussion. Those tiny, barely audible little
> scratches are now prominently present in the mix, they are positioned
> with laser sharp precision in the soundstage, and are layered in depth
> (many of them are obviously positioned a few feet behind some other
> instruments, the ones who are more forward positioned). These quiet
> sounds receding into the background are surprisingly not getting
> smothered or covered by the louder, more aggressive sounds.
> 
> As I kept switching to different CDs etc., I've noticed how my
> experience was going beyond the vinyl-like listening experience and
> into the master tape listening experience. The sound is now so alive,
> so muscular, so sturdy, that it gets overwhelmingly emotional. Each and
> every recording/mixing session now has a unique sonic signature of its
> own.
> 
> I'm hesitant to attribute this improvement solely to the latest TT3.0
> mods, because the mods coincided, in my case, with the upgrade to the
> power cable -- I've just installed a new Shunyata power cable, which
> was a revelation. That, plus the much maligned attenuation of the EMI
> and RF interferences, seemed to have cleared up so much noise, that the
> music now shines through.
> 
> Thanks again to all who contributed, and a happy and prosperous new
> year to all!

What are you going to report next week, when SBGK comes up with some
new values for priorities? ;)    :D :D


-- 
NoRoDa
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