ob_kook;683111 Wrote: 
> From 2002 to 2010 I had an apartment in Tokyo because I spent so much
> time doing business there. 
> 
> It was there that I bought my Dynaudio's and hauled over a vintage, but
> not superb, Luxman integrated amp to drive them. The source was faily
> low bitrate MP3's from the soundcard of a PC. (at least it was
> aftermarket sound card!)
> 
> By all measures, my current setup is vastly superior to what I had
> there. Mostly FLAC now, Touch, dedicated DAC, monoblocks, and the same
> set of speakers.
> 
> But the music just sounded better in Tokyo...
> 
> I am pretty certain that the reason for this is the natural acoustics
> of the room. The dimansions very nice and square - just lie a speaker
> laid on its side. Fully carpeted. a couple of large pieces of very
> cushy furniture to sit on and nothng else. A 15 foot curtain along one
> side, and the rest of the room wallpapered in this funky, slightly
> spongy, porous wallpaper.
> 
> My room today has a cathedral cieling, losts of beautiful architecture
> angles, hardwood floors, and sparse wall coverings. What is there is
> hard glass covered paintaings, a fired clay sculpture, and that's about
> it.
> 
> I would soooo love to treat the room, but there is just no way that
> would fly.
> 
> Actually I would so so so so so love to hear my current system in my
> Tokyo room. Complete with a glass of 17 year old Nikka Yoichi single
> malt.
> 
> The room may very well be the most important piece of audio equipment I
> don't have.

I think room acoustics is largely placebo. Here is why: if you take a
good instrument, such as Martin D28 acoustic guitar, it will sound
gorgeous no matter in what room it is played. On the other hand, a
shitty instrument will sound shitty regardless of the room treatments.
Ergo, the room hardly matters, if at all.


-- 
magiccarpetride
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