Squeezemenicely wrote: 
> Archimago as usual your views and research are a very interesting read.
> 
> Being a listener with relatively good hearing, I have often asked myself
> if there really is a difference between a CD flac and 24/96. Often it is
> the better remaster that makes the "big" difference.
> 
> Also maybe the placebo effect, still sometimes I prefer the 24/96files.
> The difference is slight, but somehow it seems there is more audible
> space in the higher frequencies - no idea how to put it - probably
> sounds silly anyway.

Sometimes the album is mastered differently for the different media. 
"Hypnotic Eye" - Tom Petty and the Heartbreakers, was issued with
different masters for CD (which is DR 7) and vinyl, hires download, and
blu ray (which are DR 13).  I can't remember which version went to
iTunes.

http://dr.loudness-war.info/album/list?artist=&album=hypnotic+eye

BTW my hearing is a mess.  I have almost no hearing in my left ear
(sudden sensorineural hearing loss).  I can't tell which direction
sounds come from.  When audiophiles talk about soundstage being wider,
shallower, voices in the middle, etc. its all lost on me.

I can't tell the difference between 24/96 and 16/44, but I can still
tell a bad (loudness wars) mastering from a good one.

I bought quite a lot of "remastered" rock CDs because I didn't know any
better.  I loved the way my speakers sounded on acoustic music but not
so much on electric music.  I then bought the Steven Wilson remix of
"The Yes Album", compared it to the previous (loud) CD I had and was
blown away.  My speakers sounded good on this electric music!  For me
the difference in in the mastering



Homebuilt Votexbox 2.2 (2004 Pentium4, 2.66 GHz, 2.5 GB RAM) running LMS
7.8.0
Home Office: Wi-Fi>Touch>Coax>Peachtree Audio Nova>PSB Imagine Towers
Den: Ethernet>Touch>Coax>Onkyo TX-SR806>Polk Speakers (2.1 for music)
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