Archimago wrote: 
> Yeah. That's a good one! Will be very interesting to see what happens to
> Pono now in the public eye. No surprise for folks who've tried tests
> with hi-res audio. As suspected, very possible to see a public backlash
> for the unrealistic silly hype. I still just hope the importance of
> mastering gets *strongly* discussed so there is at least an opportunity
> to change sound quality for the good.
> 
> As for the "Jazz In The Pawnshop", does anyone know where the history of
> this one began in terms of the audiophile psyche? Something about it
> being featured in some Hong Kong audiophile magazine or something like
> that?
> 
> I agree - it sucks. But I do have it around for the visiting audiophiles
> who love the jazz-club ambience :-).

I have no idea , but I think it's a bit out of context anyway . You must
probably be from Sweden ( like me ) and possibly also been to the
pawnshop jazz club ( check ) also be a bit older than me and have some
nostalgia for that part of Swedish jazz history and these performers .

Why it's been lifted out off its cultural context over space and time
and are revered by Japanese high end aficionados ? Some things are true
mysteries .

However the record company proprius have made many excellent classical
and choral recordings over the years and some other stuff too .

I think it's ok and it actually does sound exactly like that jazz club .
But it is of no significance in the greater scheme of things .



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