arnyk wrote: 
> The reason being that such a high proportion of audio gear has inaudible
> distortion, and that producing gear with really good measured 
> performance is relatively easy. The common exception is part of  just
> about every system, and its the transducers and the environment that
> they work in.
> 
> So, the transducers are always there to produce audible  distortion that
> masks any possibly audible distortion in everything else.

High end audio's dirty little secret:

Real world electronically reproduced audio chain:

Performers produce sound waves -> microphone converts sound waves into
electrical signal -> electrical signal travels through various pieces of
audio equipment -> transducers (aka speakers) convert electrical signals
back into sound waves

The "secret" part is that in the middle of this chain (the electrical
signal travels through various pieces of audio equipment part) there is
no "audio" but rather just an electrical signal and believe it or not
electrical engineers have a pretty understanding of how electrical
signals and signal processing works, especially things like amplifying
these signals. All the real action occurs during the first and last
parts of the chain converting sound waves into electrical signals  and
converting electrical signals back into sound waves.



Living Rm: Transporter-SimAudio pre/power amps-Vandersteen 3A Sign. &
sub
Home Theater: Touch-Marantz HTR-Energy Veritas 2.1 & Linn sub
Computer Rm: Touch-Headroom Desktop w/DAC-Aragon amp-Energy Veritas 2.1
& Energy sub
Bedroom: Touch-HR Desktop w/DAC-Audio Refinement amp-Energy Veritas 2.0
Guest Rm: Duet-Sony soundbar
Garage: SB3-JVC compact system
Controls: iPeng; SB Controller; Moose & Muso
Server: LMS 7.9 on dedicated windows 10 computer w/2 Drobos
'Last.fm' (http://www.last.fm/user/jazzfann/)
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