I didn't say 24/96 just 24 for the extra latitude. 81GB for a master
file from a recording studio doesn't really sound very scary to me. I
have more capacity than that in my pocket.

Are we defining a defacto standard here or discussing possibilities?

I can't deny that talented folks don't need any help to get things
sounding good, but the talented folks who actually provide the music I
listen to have thus far provided a mixed bag of quality and poor 16/44
recordings. Perhaps some of them could have been better with a higher
res digital master?

Do please educate us poor souls on the vast difference between exposure
mapping from 14 bit raw Bayer array data to display for photography and
down mixing from 24 bit master data to 16 bit in an audio device, we're
all ears.




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