drmatt wrote: 
> I didn't say 24/96 just 24 for the extra latitude. 81GB for a master
> file from a recording studio doesn't really sound very scary to me. I
> have more capacity than that in my pocket.
> 

81 GB is the size of the file if it were 16/44. If it was 24/96 it would
be 3 times larger, and if it was 24/192 it would be 6 times larger. You
correctly observe that storage is very cheap these days. The problem
with large files is the time it takes to process them. For example, have
you ever loaded an 81 GB file onto a flash drive? How long does it
actually take?

> 
> Are we defining a defacto standard here or discussing possibilities?
> 

The de facto standard is 16/44.

> 
> I can't deny that talented folks don't need any help to get things
> sounding good, but the talented folks who actually provide the music I
> listen to have thus far provided a mixed bag of quality and poor 16/44
> recordings. Perhaps some of them could have been better with a higher
> res digital master?
> 

Thanks for admitting that you are just speculating, and don't really
know. People who go hands on with this stuff such as myself need not
speculate because we have the real world experiences. Of course, why
think that people who actually work with this stuff know anything about
how it works? ;-)

> 
> Do please educate us poor souls on the vast difference between exposure
> mapping from 14 bit raw Bayer array data to display for photography and
> down mixing from 24 bit master data to 16 bit in an audio device, we're
> all ears. (Apart from the obvious completely different maths.)

This is an audio forum, not a video forum. If you want to go that far
off topic, please do so on your own time.


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