Julf wrote: 
> And to reproduce that mythical 129 dB peak level mentioned with my 86
> dB/1W sensitivity speakers, I would need 20 kW out of my amps...

The 129 dB peak number that I am familiar with comes from a number of
related papers by Fielder and Cohen such as :
http://www.zainea.com/Dynamic%20range.htm

This number was apparently observed at musical performances that
included "Electronic Augmentation" 20596. 

The fallacy of these observations is that as many of us who have been
subjected to loud concerts with "Electronic Augmentation"  IOW electric
guitars and PA systems for boosting the vocals, the electronics used in
concerts often has fairly acute and audible noise problems of its own.
If I had a nickel for every concert with "Electronic Augmentation" where
hum and noise from guitar amplifiers and hastily erected portable PA
systems are clearly audible throughout the concert...

So the fallacy of musical performances with high peak levels created
electronically but with no reported background noise is a centerpiece of
Fielder's landmark ca. 1980s and 1990s work.

Its instructive to see where this fallacy led the industry. The first
industry response to these alleged new dynamic range requirements was
known as HDCD, which was a clever scheme that encoded gain riding
controls into what is usually the bits that reproduce the noise floor.
We now know that while there was some industry and public acceptance of
HDCD, and despite its relatively simple implementation and potential to
become a mainstream augmentation to the audio CD, it never gained
critical mass and it is now largely consigned to long lost history.
FAIL!   It was replaced in the marketplace by more elaborate schemes
such as DVD-A and SACD but again they failed to gain mainstream
acceptance and are now at best niche products. FAIL again!

It was apparent to many who did their homework and conducted DBTs and
found that so-called high resolution audio was not effective at
providing improved sound  quality. These findings were first made at the
beginning of the new millennium and have never been overcome by tests
with comparable scientific rigor. Some are finding that any new music
format that hangs its hat on so-called high resolution audio is built on
anti-scientific wish fulfillment and will ultimately fail in the
marketplace.


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