Mnyb wrote: > Welll the Q is bit more complex , if you intend to do some post > processing of the recordings it's good to have them as 24 bits when > that's done you can convert to 16/48 and be done as it is as you say > more than enough fidelity to store the vinyl recording. > > And you can be more generous with headroom when recording in 24 bits , > you can always adjust the level with software later .
This is what I do. ADCs typically work very well if not optimally at 24/96. Plenty of headroom in terms of dynamic resolution and frequency response to capture everything that could be of any value on the vinyl. It has been awhile but in the past I always used ClickRepair or other processing with Adobe Audition to remove the obvious imperfections. Then iZotope RX to dither and resample down to 16/48 is what I do to get the final file for the music server. Archimago's Musings: (archimago.blogspot.com) A 'more objective' audiophile blog. ------------------------------------------------------------------------ Archimago's Profile: http://forums.slimdevices.com/member.php?userid=2207 View this thread: http://forums.slimdevices.com/showthread.php?t=106828 _______________________________________________ audiophiles mailing list [email protected] http://lists.slimdevices.com/mailman/listinfo/audiophiles
