drmatt wrote: 
> Personally I would never have declared it as an alternative to CD, but
> it was a convenient alternative to compact cassette if you needed long
> running times.
> 
> The "hifi" track was placed alongside the video with an extra set of
> heads, and obviously the non-hifi linear track had to remain where it
> always was and contain a replica of the audio for compatibility with
> other decks. There were i think a few decks that offered linear stereo
> audio too, but not many and I don't think it was very good (particularly
> when long play came along)..
> 
> 
> Sent from my ONEPLUS A3003 using Tapatalk

Wrong and wrong.

Please read the Wikipedia article:

https://en.wikipedia.org/wiki/VHS

"
Hi-Fi audio system
Around 1984, JVC added Hi-Fi audio to VHS (model HR-D725U, in response
to Betamax's introduction of Beta Hi-Fi.) Both VHS Hi-Fi and Betamax
Hi-Fi delivered flat full-range frequency response (20 Hz to 20 kHz),
excellent 70 dB signal-to-noise ratio (in consumer space, second only to
the compact disc), dynamic range of 90 dB, and professional audio-grade
channel separation (more than 70 dB). VHS Hi-Fi audio is achieved by
using audio frequency modulation (AFM), modulating the two stereo
channels (L, R) on two different frequency-modulated carriers and
embedding the combined modulated audio signal pair into the video
signal. 

*To avoid crosstalk and interference from the primary video carrier,
VHS's implementation of AFM relied on a form of magnetic recording
called depth multiplexing. The modulated audio carrier pair was placed
in the hitherto-unused frequency range between the luminance and the
color carrier (below 1.6 MHz), and recorded first. Subsequently, the
video head erases and re-records the video signal (combined luminance
and color signal) over the same tape surface, but the video signal's
higher center frequency results in a shallower magnetization of the
tape, allowing both the video and residual AFM audio signal to coexist
on tape. (PAL versions of Beta Hi-Fi use this same technique). During
playback, VHS Hi-Fi recovers the depth-recorded AFM signal by
subtracting the audio head's signal (which contains the AFM signal
contaminated by a weak image of the video signal) from the video head's
signal (which contains only the video signal), then demodulates the left
and right audio channels from their respective frequency carriers*. 

*The end result of the complex process was audio of outstanding
fidelity, which was uniformly solid across all tape-speeds (EP, LP or
SP.)* Since JVC had gone through the complexity of ensuring Hi-Fi's
backward compatibility with non-Hi-Fi VCRs, virtually all studio home
video releases produced after this time contained Hi-Fi audio tracks, in
addition to the linear audio track. Under normal circumstances, all
Hi-Fi VHS VCRs will record Hi-Fi and linear audio simultaneously to
ensure compatibility with VCRs without Hi-Fi playback, though only early
high-end Hi-Fi machines provided linear stereo compatibility.
"


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