I wouldn't down-sample a high rate file. It's not always a good idea,
I'd leave it alone.

Under some circumstances, you might up-sample before sending the file to
the DAC, but this would only make sense if you knew you could up-sample
at higher quality than the DAC's internal up-sampling. -Usually- this
isn't the case (not with a DAC using a modern chip set anyway) so again
I'd leave it alone.
Golden Earring wrote: 
> So I'd guess that the PCM filtering is applied just below the Nyquist
> frequency - isn't the idea of 96kHz sampling frequency recording that
> you have your anti-aliasing filtering well up above the audible range so
> there is no impact on the audible frequency response at all (given that
> real-world filters are not brick-walls)?
That is true on the ADC side, or it was, but since ADCs are internally
oversampling anyway these days there's no need to record at a higher
rate for reasons of the anti-aliasing filter. But you might still record
at a higher rate and bit depth in order for more transparent studio
processing.

On the playback end, modern DACs tend also to over-sample, which creates
images, then apply anti-imaging filters. Usually the DAC up-samples in
several stages, and often you'll find a combination of digital (the
various DAC digital filter options apply here) and analogue filters to
remove images. The up-sampling/digital filtering makes the analogue
anti-imaging filter much more relaxed.



Check it, add to it! http://www.dr.loudness-war.info/

SB Touch
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