Yes, it makes sense. Though, you must be sure nothing enters into your electroacoustic chain. Other than real sounds, you also have also to consider any electric interference coming from the environment in which you're working.

Just as an example, while working on an oceanographic ship I needed to sample wideband hydrophones at 1 MHz to avoid aliasing due to heavy interference in the range 200 to 400 kHz. Then I filtered out unwanted frequencies by using software filters, and the final step was downsampling.

Depending on the equipment you have and the context in which you're working, oversampling can be a solution to avoid the use of expensive analog filters (sharp filters at very high frequency are normally expensive!). An additional positive effect of oversampling is a reduction of quantization noise when using industrial boards with 12 or 14 bits of resolution.

Gianni
[EMAIL PROTECTED]

--------------------------------------------------------------
Gianni Pavan
Email [EMAIL PROTECTED]
Centro Interdisciplinare di Bioacustica e Ricerche Ambientali
Universita' degli Studi di Pavia
Via Taramelli 24, 27100 PAVIA, ITALIA
Tel        +39-0382-507874
Fax        +39-02-700-32921
Web       http://www.unipv.it/cibra


At 17.26 10/05/2004, you wrote:
Does anyone can point out problems or disadvantages of
using the frequency response of transducers and/or
amplifiers (e.g. due to GBP limitations) to avoid
aliasing?

If for instance I use a transducer with a response
that drops past 100 kHz and an amplifier with a
similar frequency response, and I sample my signal at
500 kHz, I could avoid aliasing without having to use
a low pass filter before the analog-to-digital stage.
Does this makes sense?

All the best,

Ricardo Antunes



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