Pekka Siponen wrote: > Here is some more bad typography from major publishers. > All of them have it.
Have what? Werner was referring to the small white triangles when he said "bad typography". Of the five examples you've submitted, only the Grieg and the Pierné have that problem. If different stem lengths for the same note bothers you, realize that the complexities of typesetting beams demand that stem lengths vary, often greatly. See the attached png for an example. What is bad about the Mozart, Debussy and Bizet examples? They look okay to me. One more thing: > I don't feel that it is important to consider > the plate printing dilemmas in computer output. We do. Read the (partly outdated but still relevant) essay: http://lilypond.org/web/about/automated-engraving/ - Mark __________________________________________________ \version "2.13.0" \relative { g''16 g, g g'^good g4 g16 g, g g'^bad \override Stem #'length = #13.5 g4 }
<<attachment: stem-lengths2.png>>
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