Comment #18 on issue 1110 by [email protected]: Wrong octave of repetition chord
with \relative and #{ #} syntax
http://code.google.com/p/lilypond/issues/detail?id=1110
While we are at it: what is the desired output of
\parallelMusic #'(A B) { <c e g>1 | <g c e> | q | q |}
\new Voice { << \relative c' \A \\ \relative c'' \B >> }
Constructs like that make me suspect that it might be a good idea to let q
not record any pitches at all, and instead let the pitches get recorded and
filled in later, when the music expression is getting passed to a context.
Alternatively, prohibit q across voice changes.
If we do that, \relative does not need any special treatment.
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