Great observation on the end effects. Thanks.
----- Original Message ----- From: "Alan Winston - SSRL Central Computing" <[email protected]> To: "Caller's discussion list" <[email protected]> Sent: Tuesday, August 25, 2009 3:43:15 PM GMT -08:00 US/Canada Pacific Subject: Re: [Callers] emerging artists Rich -- I like it a lot. With something strongly-phrased, should be very satisfying. You write: > This one is hot off the presses. Would appreciate feedback. >Plan to debut this Saturday in Portland. Okay, feedback: > Need to swap quickly on the ends to come back in (unless the lines are > uneven) I think the end effects are more (or arguably less) complicated, although I may have confused myself. - If you meet your partner in the weave (as second neighbor), pass by the left, swing the next, and you won't be out at the end at all. (That is, partners pass across the set at the end.) - If you weave past 2 and the third one is your partner, you swing, open up facing the line, and then you're out and come in 2 bars into A1, when the next neighbor comes to you. I _think_ that if you have an even number of couples, nobody's ever out, and if you have an odd number, you'll alternate having one out at the top and one out at the bottom. Anyway, because the progression was at the beginning, there's no hurried swap. If you have to do anything right away, you're already in place for it. -- Alan > Loose Marbles by Rich Goss improper contra > double progression > A1: Pass current N by right, next N by left, swing N #3 > A2: Ladies alle right 1 1/2 (to face partner), 1/2 hey (pass ptr left sh) > B1: Partner Bal and Sw > B2: Ladies chain, Bal ring, roll away partner across set (to trade places)
