I gotta say, I really like fiddle / guitar / piano -based jigs and reels.
Putting in Secret Agent Man etc - that's fun for a moment but IMHO should be
used with restraint.

--------------------
Lindsay Morris
CEO, TSMworks
Tel. 1-859-539-9900
[email protected]


On Tue, Jan 12, 2010 at 3:28 PM, <[email protected]> wrote:

>
> my 2 cents:
> #1 Communication between Caller and Band!:
> Example:
> I attended a dance featuring an up and comming
> caller and a very talented band all in their twentys
> For the most part the dancers were used to traditional
> dances and music, though non-traditional music is not
> out of the norm (for this dance series)
> Final dance of the evening: short phrases, balances,
> swings, alamands... needed well phrased music
> Band launched into groove tunes, Dancers were ok
> while caller was prompting, when he stopped,
> Dancers had to start counting the beats, formations started
> to break down, less experianced dancers were loosing
> the dance
>  LSS, it put a damper on the evening .... it's what the dancers remember!
>
> I have danced to bands in New England who do a very
> good job of melding tradition with groove
> (by the by, these musicians are also dancers!)
> I like dancing to these bands, they are well versed in tradition.
> and can expand on it without loosing the basics of the music/dance form.
> if you watch these musicians they are keeping an eye on the dancers.
> Playing for them, not at them
>
> #2 I wonder if we are looking at a seperation between
> traditional and a new style of dancing, not unlike
> what happened 40 years ago +/-
> If there is  going to be (if it hasn't already begun)
> a divergance in dance styles and preferances.
> Perhaps places like Nelson NH (and other small community
> dances) will be the keepers of the tradition waiting
> for another generation to re-discover the fine art form
> of contra dancing.
>
> Random thoughts from a 50+yr old. dancer/caller/ (maybe someday) musician
>
>
> >
> >
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