BIDA is a perfect example of the grownups being in charge. It's especially
terrific in that some of the grownups are so young.

M
E

On Mon, Jan 31, 2011 at 2:23 PM, John W Gintell <[email protected]> wrote:

> >
> > Message: 2
> > Date: Sun, 30 Jan 2011 09:52:08 -0800
> > From: Greg McKenzie <[email protected]>
> > To: Caller's discussion list <[email protected]>
> > Subject: Re: [Callers] Calling medleys for the first time
> > Message-ID: <[email protected]>
> > Content-Type: text/plain; charset="us-ascii"; format=flowed
> >
> >
> > Bob Green wrote:
> >> In some communities, a different approach is taken - to help avoid
> >> breakdowns while switching dances on the fly, trying to see that less
> >> experienced/skilled dancers have a partner the can give them a little
> help
> >> along on the way. I favor this approach as I believe it tends to make
> the
> >> overall dance experience better.
> >
> > I would be very interested in any techniques or strategies you, as
> > the caller, would use to achieve this behavior:  "...trying to see
> > that less experienced/skilled dancers have a partner the can give
> > them a little help along on the way."  I am particularly interested
> > in what callers do to encourage more generous partnering behaviors in
> > a medley.  How do you achieve that "We're all in this together,"
> > sentiment that Larry Jennings speaks of?
> >
> > - Greg
>
> I think it is a good idea for callers to add little bits of dance culture
> instruction during their teaching and remarks.  Many people start coming to
> Contra Dances without knowing the culture and it isn't always easy to "get".
>  New dancers are sometime shy and don't want to ask experienced dancers to
> be partners; of course some experienced dancers are snobs but I think most
> want to make the evening fun for everyone - reminders about
> changing/selecting partners can help. I like dancing with inexperienced
> dancers and I think it helps make me a better dancer because I have to be
> more aware of everyone and learn how to help in a constructive fashion with
> hand gestures instead of too many words that can't be heard.
>
> Here's an example of something that organizers can do: at the BIDA dance in
> Cambridge (http://bidadance.org/index.html) they have some very nice
> posters hung around the wall that talk about having fun, changing partners,
> etc. They have been working hard on being inclusive on getting new dancers -
> they have a beginners workshop before each dance.  The I in BIDA stands for
> Intergenerational, the A for Advocates.
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-- 
For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance. ~ William Butler Yeats

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