Jim just wanted to let you know that I also called your dance to the
enjoyment of the audience. I started it at your B1 for an end-of-tune
progression (as Mark noted).

On Wed, Dec 28, 2011 at 6:09 PM, Mark Widmer <[email protected]> wrote:

> Jim, your dance strikes me as a rather unique combination of moves, and I
> would be surprised if it had already been written.  It looks like it has
> nice flow, have you called it to live dancers yet?
>
> Mark Widmer
>
> p.s. I notice it could also start at B1 (as a duple improper dance that
> progresses in the expected place), or at A2 (as a Becket dance that ends
> with a partner swing).
>
>
> On 12/28/2011 12:00 PM, 
> callers-request@sharedweight.**net<[email protected]>wrote:
>
>> Date: Wed, 28 Dec 2011 07:31:08 -0600
>> From: Jim Hemphill<[email protected]>
>> To: [email protected]
>> Subject: Re: [Callers] Groundhog Day
>> Message-ID:
>>        <CAL3h0BT9o_BurA+**LZyqXwepPagkAuVv5q386cwcMTW0Va**
>> [email protected]<cal3h0bt9o_bura%[email protected]>
>> >
>> Content-Type: text/plain; charset=ISO-8859-1
>>
>> I'm fairly new to Calling and fascinated with Contra dance choreography.
>> Below is my attempt at a  Groundhog day dance.  The groundhog starts his
>> day by looking for his shadow and so does this dance.
>>
>> Groundhog Daze  Becket
>> A1 Gypsy your shadow
>>      Partner swing
>> A2 Circle left 3 places
>>      Balance the circle, 1's make an arch, 2's dive thru
>> B1 Next neighbor balance and swing
>> B2 Long lines forward and back
>>      Ladies allemande right 1/2, partner allemande left 3/4
>>
>> I know there are thousands of dances out there so if this is not an
>> original, please let me know the true name.
>>
>> Thanks, Jim Hemphill
>>
>>
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-- 
Luke Donforth
[email protected] <[email protected]>
www.lukedonev.com

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