Barbara: Do you call exclusively longways contra sets? Because there several 
hundred years' worth of Irish dances...


> To: [email protected]; [email protected]
> From: [email protected]
> Date: Wed, 18 Jan 2012 19:27:58 -0500
> Subject: Re: [Callers] Groundhog Day dance by Jim Hemphill
> 
> 
> Thanks for the help.  I thought the shadow would be next to you on the side 
> of the set.  I can't wait to call this one.  Unfortunately I won't be calling 
> again until March 16.  Does anyone have or know where to find any dances 
> pertaining to St. Patty's Day?
> 
> Barbara G
> 
> 
> 
> -----Original Message-----
> From: Richard Mckeever <[email protected]>
> To: Caller's discussion list <[email protected]>
> Sent: Wed, Jan 18, 2012 10:49 am
> Subject: Re: [Callers] Groundhog Day dance by Jim Hemphill
> 
> 
> I am not familiar with this dance - but if you are on the same side of the 
> set 
> s your partner - a shadow cannot be located on the other side - so they will 
> be 
> n the same side somewhere to your right or left.
> Mac
> 
> ________________________________
> From: "[email protected]" <[email protected]>
> o: [email protected] 
> ent: Wednesday, January 18, 2012 9:16 AM
> ubject: Re: [Callers] Groundhog Day dance by Jim Hemphill
> 
> In Groundhog Daze how would you teach this?  If you are next to your partner 
> in 
> ecket where is your "shadow" in relation to you?  Is he next to you on the 
> side 
> r across from you your Nbr?  Can't seem to figure this out.  Help please. 
> hanks.
> Barbara G
> 
> -----Original Message-----
> rom: Luke Donforth <[email protected]>
> o: Caller's discussion list <[email protected]>
> ent: Tue, Jan 17, 2012 10:29 pm
> ubject: Re: [Callers] Groundhog Day dance by Jim Hemphill
> 
> im just wanted to let you know that I also called your dance to the
> joyment of the audience. I started it at your B1 for an end-of-tune
> ogression (as Mark noted).
> n Wed, Dec 28, 2011 at 6:09 PM, Mark Widmer <[email protected]> wrote:
>  Jim, your dance strikes me as a rather unique combination of moves, and I
> ould be surprised if it had already been written.  It looks like it has
> ice flow, have you called it to live dancers yet?
> Mark Widmer
> p.s. I notice it could also start at B1 (as a duple improper dance that
> rogresses in the expected place), or at A2 (as a Becket dance that ends
> ith a partner swing).
> 
> n 12/28/2011 12:00 PM, 
> callers-request@sharedweight.**net<[email protected]>wrote:
> > Date: Wed, 28 Dec 2011 07:31:08 -0600
>  From: Jim Hemphill<[email protected]>
>  To: [email protected]
>  Subject: Re: [Callers] Groundhog Day
>  Message-ID:
>         <CAL3h0BT9o_BurA+**LZyqXwepPagkAuVv5q386cwcMTW0Va**
>  
> [email protected]<cal3h0bt9o_bura%[email protected]>
>  >
>  Content-Type: text/plain; charset=ISO-8859-1
> 
>  I'm fairly new to Calling and fascinated with Contra dance choreography.
>  Below is my attempt at a  Groundhog day dance.  The groundhog starts his
>  day by looking for his shadow and so does this dance.
> 
>  Groundhog Daze  Becket
>  A1 Gypsy your shadow
>       Partner swing
>  A2 Circle left 3 places
>       Balance the circle, 1's make an arch, 2's dive thru
>  B1 Next neighbor balance and swing
>  B2 Long lines forward and back
>       Ladies allemande right 1/2, partner allemande left 3/4
> 
>  I know there are thousands of dances out there so if this is not an
>  original, please let me know the true name.
> 
>  Thanks, Jim Hemphill
> 
> 
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> - 
> ke Donforth
> [email protected] <[email protected]>
> w.lukedonev.com
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