Great! Please report back if you try it out, Amy.

Richard

On Feb 12, 2012, at 4:47 PM, Amy Cann wrote:

> I *love* this.
> 
> On Sun, Feb 12, 2012 at 4:31 PM, Dale Wilson <dale.wil...@gmail.com> wrote:
> 
>> Hi Richard,
>> 
>> I took the liberty of "adapting" your dance a bit then called it last night
>> at a dance in Elsah, Il.   The crowd of about thirty dancers was a fairly
>> even mix of experienced dancers and first or second timers with a wide
>> range of ages (Teens to 80's).
>> 
>> The revised instructions I used were:
>> 
>> Make groups of three people--gender doesn't matter.   If it doesn't come
>> out even, make one or two groups of two people so everyone gets to dance.
>> 
>> Make a big circle holding hands with the people in your group, then turn
>> your group of three together to face right.   Like spokes on a wheel.
>> 
>> Notice who's closet to the middle of the big circle.  That's the INSIDE
>> person.
>> 
>> Everybody walk forward (promenade holding hands).
>> 
>> Make a circle of three and circle to the right.
>> Circle left.   End with the inside person facing both partners. [Note it
>> doesn't matter which way the group as a whole is facing]
>> 
>> Inside person with right hand partner: Clap (self); clap (self); Clap both
>> hands with right hand partner; pause a beat.
>> Inside person with left hand partner: Clap(self); clap(self) Clap both
>> hands with left hand partner; pause a beat.
>> Inside person with left hand partner: Allemande right (about 3/4ths)
>> Inside person with right hand partner: Allemand left once.
>> Repeat the allemand's until the caller says "Swing" then inside person
>> swing (or two hand turn, or...) the one they are with.[*]
>> Extra people go to the middle of the circle and mess around with each other
>> (that got a laugh)  Mingle; Improvise.
>> When caller says "Promenade" the swinging couples make the spokes of the
>> wheel again and extra people join in as the new inside person.
>> 
>> [*] Last time through the caller says "As a group of three, Swing" to end
>> the dance.
>> 
>> There was mild confusion particularly at the transition from clapping to
>> allemandeing.  There was also a lot of laughing and smiling.  I'd say it's
>> a hit.
>> 
>> Thanks,
>> 
>> Dale
>> 
>> 
>> 
>> On Mon, Jan 30, 2012 at 4:54 PM, Richard Fischer <
>> richardallenfisc...@verizon.net> wrote:
>> 
>>> Actually I've just recently written a dance for threes. It meets only
>> some
>>> of Rickey's criteria, and I haven't yet tried it out on my kids at
>> school,
>>> but I will soon. I'll paste it below, and if you give it a try, I'd love
>> to
>>> hear how it went!
>>> 
>>> Richard
>>> 
>>> Mixer for Groups of Three
>>> 
>>> Tentative Title “Near and Far”
>>> 
>>> to the tune Beaumont Rag
>>> 
>>> Richard Allen Fischer
>>> 
>>> (numbers refer to beats)
>>> 
>>> A1  (first time through) Promenade CCW in groups of three (16)
>>>           (Note who the inside-track person is.)
>>> 
>>> A2  Circle left (8) and circle right (8) in groups of three
>>> End in a spoke-like line with inside-track person facing out of the
>> circle
>>> to their partners, and their two partners facing in towards them
>>> 
>>> B1   (Clapping pattern: clap, clap, clap, rest. First two claps with
>> one’s
>>> own hands, last with a partner)
>>>           All clap own hands twice, then inside-track person with
>> nearest
>>> partner (4)
>>>           All clap own hands twice, then inside-track person with
>> distant
>>> partner (4)
>>>           All clap own hands twice, then inside-track person with
>> nearest
>>> partner (4)
>>>           Boogie/Clog/Improvise  (4)
>>> 
>>> B2  Caller says “Choose Near” or “Choose Far.”  Inside-track person
>> swings
>>> one partner, and the other partner goes to the center. Folks in the
>> center
>>> are encouraged to improvise on     their own and with each other during
>> B2.
>>> 
>>> Dance begins again with (and proceeds with)
>>> 
>>> A1  Promenade CCW with partner; folks in center join a couple as the
>>> inside-track person.
>>> 
>>> Dance ends with
>>> 
>>> B2  Caller says “Choose Both!”  Swing all three.
>>> 
>>> Notes:  Some playfulness/dodging/blocking  expected with the clapping in
>>> B1. Center dancers are discouraged from rejoining their old group. In my
>>> school setting I would use the calls in B2 to avoid awkwardness about
>>> choosing; in other setting calls might not be needed. Again, in my school
>>> setting, swing can be a two-hand turn, elbow turns, ballroom position
>>> swing, etc.
>>> 
>>> 
>>> 
>> --
>> *So if you knew what was broken...how long would it take you to fix it?*
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