any dance that has good "flow" is going to be easier for dancers, old and new.  
when you find them, you keep them - because they work.  
 

> From: [email protected]
> To: [email protected]
> Date: Sat, 18 Feb 2012 18:06:48 -0800
> Subject: Re: [Callers] Heys for new dancers
> 
> Wow! I didn't know that there was a "standard", either, Beth! I use 
> Flirtation Reel all the time with new dancers for a bunch of reasons 
> (I am not talking about a ONS; rather a community dance that has a 
> good mix of newer dancers and those who have danced before). For me, 
> the direction of the passes has everything to do with the graceful 
> flow of movement written into the dance by the choreographer. Such 
> flow is what I look for in a dance worth calling. The dancers 
> certainly get this, too; if not at first, they will pick up on it 
> eventually!
> Linda
> 
> On Feb 18, 2012, at 2:43 PM, [email protected] wrote:
> 
> > LOL, I once had a caller berate me for using Flirtation Reel as a 
> > dance to teach beginners (this was a beginner's workshop at NEFFA, 
> > they really were beginning something.) He rather emphatically said 
> > "how could you use a non-standard hey as a teaching tool?" Until 
> > then I hadn't realized there was a standard vs. a non-standard hey. 
> > Actually I still don't think there is.
> >
> > I don't remember who the caller was, but I do remember the comment 
> > <G>.
> >
> > I also once had a dance organizer inform me "Do not teach a hey in 
> > the first half of the evening." There are so many other moves that 
> > people think are easy that are actually quite difficult for new 
> > folks: right and left through for example. Banning a hey seems a bit 
> > arbitrary, but I assume the dance had a bad experience at some time.
> >
> > Beth
> >
> > -----Original Message-----
> > From: Linda Leslie
> > Sent: Friday, February 17, 2012 11:24 PM
> > To: Caller's discussion list
> > Subject: Re: [Callers] Heys for new dancers
> >
> >
> > On Feb 17, 2012, at 7:55 AM, barb kirchner wrote:
> >
> >>
> >> i like teaching "the ladies' pattern". ladies walk the same path
> >> (turn left, end on right) for a promenade, right and left through,
> >> ladies chain, and hey. they're kinda used to looping out a little,
> >> because in the first three figures, they're actually walking around a
> >> person - easy enough to get the concept of walking around a ghost 
> >> from
> >> there.
> >>
> > Certainly useful techinique, if heys you will be using for the 
> > evening are right in the center, left shoulder at the ends. 
> > Flirtation Reel is a good example of Left shoulder in the center, 
> > right shoulder at the ends. Most dancers don't have trouble with 
> > this difference, but I have occasionally had dancers be a bit 
> > surprised that heys can and do vary.
> > Linda
> >
> 
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