A la "The Cure for the Claps"?
http://www.sharedweight.net/pipermail/callers/2007-September/001024.html

On Wed, Nov 14, 2012 at 3:28 PM, Jack Mitchell <[email protected]>wrote:

> Rather than saying "Don't clap" I have found that it can work well to put
> the emphasis on what they can do to make the dance work well...Balance the
> ring and twirl straight into your partner's arms for a swing.  Or in this
> case, balance and twirl to the right, letting the twirl send your left hand
> into the center for a star....or something like that.
>
>
> On 11/14/2012 3:18 PM, Kalia Kliban wrote:
>
>> I called this the other night and noticed that as the clap crept in
>> during the course of the dance the star got later and later, and more
>> ragged.  In some dances the clap is fine.  In this dance it definitely gets
>> in the way.  That clap can be hard to quash, though.  Next time I call
>> this, I'll make the point during the teaching and see if it sticks.
>>  Clapping isn't an absolute given here (SF Bay Area) but it tends to spread
>> if anyone does it even once.
>>
>> Kalia
>>
>> On 11/14/2012 11:19 AM, Bob Isaacs wrote:
>>
>>> Local tastes may vary, but if you're calling at a series where
>>> Petronella clapping is automatic, you can mention not clapping on the
>>> Petro/star transition (first seen in Becky Hill's Kitchen Stomp, I
>>> believe), but I wouldn't push that too hard.  If one of the four claps, the
>>> other three have to wait for the clapper.  It's different on
>>> Petro/allemande or Petro/swing transitions, where only two dancers need to
>>> agree on valuing flow over flourishes -
>>>
>>> Bob
>>>
>>>  From: [email protected]
>>>>
>>>> I have a Petro-spin-to-star in a dance of mine, a move I stole from
>>>> another
>>>> dance (Middle School Drama, or something like that?). People are going
>>>> to
>>>> clap, so I recommend mentioning in the walkthrough that the dance is
>>>> smoother if the hands go right in sans-clap.
>>>>
>>>> -Ron
>>>>
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>>
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