There are several dances which begin with a RH bal, BTG, then M pull by (as in 
G. Hubert's Sarah's Journey) or Allenande L 1 1/2 as in J. Hutson's Treasure of 
Sierra Madre), and I have not noted an urge to orbit.  All the spring just gets 
loaded into the gents' inward motion.  So I am sure a BTG would be fine, even 
without an orbit.  
-Andrea

Sent from my iPhone

On Nov 14, 2012, at 7:07 PM, Chris Lahey <[email protected]> wrote:

> I imagine this would be RH to your neighbor for the balance.  I wonder
> if the dance would work well with a box the gnat there instead of a
> 3/4 alamain.  One possible issue with that might be that the women
> might expect to do an orbit.  On the other hand, if they're really
> skilled, maybe you could get them to do a full orbit while the men
> alamain left.
> 
> On Wed, Oct 31, 2012 at 11:06 PM, Jack Mitchell <[email protected]> 
> wrote:
>> Does this start in a wave?  Or is it just with a RH to your neighbor for a
>> balance, and then allemande R?
>> 
>> Jack
>> 
>> On 10/31/2012 9:29 PM, Kalia Kliban wrote:
>>> 
>>> Hi all
>>> 
>>> Just wondering about a transition in Nathaniel Jack's "Walk the Plank."
>>> It looks like a nice bouncy dance with good rebound, but there's a
>>> transition from a petronella twirl into a LH star at the end, and in the
>>> absence of a group of guinea pigs here at the house I thought I'd ask if
>>> anyone's tried this and what they think.  Here are the notes:
>>> 
>>> Walk the Plank Duple Imp.
>>> A1 4,4 Neighbor balance, Al right 3/4
>>> 8 Men Al left 1-1/2
>>> A2 16 Partner Bal + Swing, end facing down
>>> B1 8 Down the hall in lines of 4, turn alone
>>> 8 Come back up, bend the line to a circle
>>> B2 8 Balance the ring, spin right one place
>>> 8 Star left 1ce around.
>>> 
>>> Is it comfortable to come from that twirl into catching L hands for a
>>> star?
>>> 
>>> Kalia
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>> 
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